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Jim Fitzpatrick

Jim Fitzpatrick is an Irish artist best known for elaborately detailed work inspired by the Irish Celtic tradition. However, perhaps his most famous single piece is rather different in style, his iconic two-tone portrait of Che Guevara created in 1968, based on a photo by Alberto Korda.

In 1978, he wrote and lavishly illustrated a book called The Book of Conquests, the retelling of a cycle of Irish myths, the Lebor Gabála Érenn. The book retells the legends of the coming of the Tuatha dé Dannan to Ireland and their fight with the Fir Bolg, interrelated with a linear story via a series of exceptionally detailed illustrations matched with text of the deeds of might and valour contained in the myth. It is replete with intricate Celtic scrollwork and knotwork. This was followed up by The Silver Arm, which retells further portions of Irish myth, this time based on the deeds of Nuada of the Silver Arm and the deeds of Lugh in their fight with the Formor. This second book is drawn in a more sophisticated style, not so close to comic book style. A third volume, The Son of the Sun, is listed as 'in preparation' as of 2004, but the artist sometimes hints that some editorial conflict precluded its appearance. The artist mentions that the two former books were more ambitiously illustrated, but the projects were curtailed. Another book, 'Erinsaga', is a loose recompilation of his work, from early jobs to his most famous books and freelance illustrations, including 'the making of...' several projects.

He has also produced much artwork for Thin Lizzy (most famously their Jailbreak album in 1976), for Sinéad O'Connor's 2000 album Faith and Courage and for The Darkness' 2003 single "Christmas Time (Don't Let the Bells End)"[citation needed], and for Norwegian black metal band Darkthrone their 2013 album cover The Underground Resistance.

In 2011, Fitzpatrick announced his intention to copyright the iconic red and black Che Guevara graphic, which he initially released copyright-free for intended use among revolutionary groups in Europe and elsewhere. He blamed "crass commercial" use of the image for his decision and plans to hand over the copyright and all rights, in perpetuity, to the family of Guevara in Cuba.

He is a grandson of political cartoonist Thomas Fitzpatrick (1860–1912)